I'm Nova Ren Suma. I wrote the YA novels 17 & GONE and IMAGINARY GIRLS (both out now from Dutton/Penguin). And as we speak I'm writing a new novel, THE WALLS AROUND US, coming Spring 2015 from Algonquin YR.

Here's my blog: distraction99.com. And here's my author website: novaren.com.

17&Gone

Imaginary Girls

Imaginary Girls paperback

 

View from inside the #writingcave. Blue mood lighting. Scarf walls. Book not done yet.

View from inside the #writingcave. Blue mood lighting. Scarf walls. Book not done yet.

I think it might be time to go home now, before this gets worse for the long walk home.

The scariest thing I’ve seen all week. Hold me. (at hell)

The scariest thing I’ve seen all week. Hold me. (at hell)

Extinction

jsgabel:

"Every time I mention to someone that I want to go into publishing they pat me on the back and give me this ‘I’m sorry your cat died’ look of pity and it’s becoming harder and harder to remain optimistic. Is the publishing industry really on its way out, or is there still hope for us bookworms?"

Yes, absolutely. Maybe I’m a fool, but I don’t think the book business—and especially the business of editing—is going to disappear.

That said, it’s going to change. Change is inevitable, and I’ve already seen seismic shifts over the course of my own career. Adaptation and evolution is the only way (in biology and books) not to disappear.

The question is HOW we change. That’s a choice we all make together: writers and publishers and readers.

Personally, I’m flummoxed by the idea that MORE books (we already have way too many) and LESS curation is the salve we need.

We all love books and we deserve to have the best that books can offer. Things are going to change, but I do believe you have the power to say how.

"Faggot"

scriptoriana:

sueishappy:

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I have seen this,I know what this is from. WHAT IS THIS FROM, TUMBLR? Help, before I lose my mind!

I now wander the earth, a ghost, with no intent to write, but carrying a spark in my fingertips, which keeps me in a state of constant fibrillation, neither dead nor alive, a will-o’-the-wisp of stress, art, and the hours.

Mary Ruefle, “A Minor Personal Matter” (via invisiblestories)

New Year’s feasting. Happy New Year to you and you and you!

New Year’s feasting. Happy New Year to you and you and you!

Anonymous asked
Are you teaching anymore online YA writing classes next year? ty!

So flattering—I’ve gotten a few emails lately and now this question here, and I just want to say thank you for wanting to take a YA writing class with me. Last year and the year before I taught some online YA novel writing classes with Mediabistro.com, but I don’t have any plans at the moment to teach another online workshop with them in 2014. Sorry about that!

I do have two weeklong in-person workshop & retreats with me at an artists colony in California, but both sessions (February and June 2014) are full. Spaces are limited due to housing.

If you are considering going to to New England SCBWI workshop in Springfield, MA, in May, I will be on faculty there, and will be leading two sessions: a “Killer First Chapters” workshop and a talk about first-person voice. I will also be a special guest at the Highlights Whole Novel Workshop in September led by amazing authors and teachers Nancy Werlin and Sarah Aronson.

If any new teaching opportunities pop up—especially for online classes—I will be sure to make announcements on my website and blog appearances pages, which you can find here.

Thank you so much for wanting to take a class from me. I wish you all the best of luck with your writing!

—Nova

Facing Down the Doubt Monster

Oh, fellow writers. So, while I work on the revision of what will be my fourth published novel (my sixth written novel, and none of this is counting any of the work-for-hire novels I’ve ghostwritten), I look up and keep seeing this ugly face in the mirror.

Doubt.

I thought, by now, now I’m writing book #4, surely, surely I’d have vanquished it by now. But no.

The funny, though not really ha-ha, thing I’ve learned as my career as an author moves on is that the doubts don’t go away. In fact, I could swear that they are all the more heavy on my shoulders and heavy-breathing in my ear than they ever were when I was first starting out, and surely before I published.

Before I published, I had no idea what would happen in the “real world” once my books hit the shelves. (If they even did.) If I got so lucky, would my books be despised, lauded, ignored, used as a stepstool to climb up and get a better book? All of the above, it turns out, but when you are in that place in your career when you don’t yet know, when the road before you is hazy and fogged up and could lead anywhere at all… Well, anything could happen.

I felt oddly positive back then. I had doubts, sure, but I also had so much blind hope. So many dreams. So much possibility.

Now here I stand with the third book—17 & Gone—out last spring and due to come out in paperback this March, and my fourth book—The Walls Around Us—getting closer and closer to what I want it to be as I work through this revision. And while I do look at my pages and realize I’ve learned so much and have gotten better as a writer, I find myself doubting so much more often than I did before my first book—Dani Noir—and then my first true book of my heart—Imaginary Girls—came out. The doubts are now something I war with every single morning as I sit down to write.

I look ahead now and I see the road. I see all the turns in the road. All the potholes. All the steep hills and the far drops. I don’t want to drive that road.

In truth, as we all know, I can’t really see ahead to the road (none of us can see the future to what will happen when our books come out, it’s always a mystery), but because I’ve been on the road a few times by now, I think I know what to expect and it’s coloring everything I’ve yet to experience.

It’s damning. I wish I could pluck some of my old innocence back and just write away, lalala. And yet, I’ve also learned so much from my previous experience and I want to build on that and grow.

Conflicting.

The truth is, you only get one (possibly two, as I did in a way, because not too many people knew about Dani Noir, and it was middle-grade) chances at a debut.

I tell myself that, in a way, each new book is a new shot and a new chance at being the best you can be… But I also know that, in a way, each new book after the first one is jumbled up with what happened before. You can’t truly separate yourself, even if you change your name. (Sometimes I wonder about that.) Readers remember. Publishers remember. Bookstores remember. And you remember.

I think all of that has only made me doubt MORE. How is it possible to have learned so much, to have gained confidence as a writer and at the same time lost it and question everything?

I’m beginning to see that this is just a natural part of the publishing process for some of us. It’s a piece of this job. So now the job grows to include ways of getting past this.

So each morning when I sit down at the café table to write, I have to make the daily effort to sweep the doubts away. I don’t look in the mirror at the monster. I avoid picturing the road ahead. I try very, very hard to think nothing about the after.

I have to think only of the here-and-now, which is all any of us can control anyway. The here-and-now of writing this draft at this café table this morning.

My ways to cure creeping doubt include:

  • Rereading one of the books that inspired me to become a writer, or even a page from it, a little dip into that memorable magic and then slipping the book back in place on the shelf…
  • Reading an inspiring book on the process of writing (I’ve been carrying Still Writing by Dani Shapiro for weeks now, reading it in pieces in the mornings before I write)…
  • Listening to a happy-making song on repeat with headphones in and bopping around on the chair to myself…
  • Talking with a fellow writer and discovering, oh wow, she has the same worries I do and this is perfectly normal and I am not alone…
  • Talking with your best reader, the person who loves everything you write and believes in you (I hope you have this person—it could be your partner, your best friend, your agent, your mom) and let yourself hear the good, let the good outweigh any worries you have over any bad…
  • Find an old letter or email where someone said something amazing about something you wrote and read it once more, like it’s the first time. It helps to keep a little folder of these for future moments…
  • Close your eyes, picture the finished book in your hands, the one you will write, the one you absolutely will finish one day, and let yourself appreciate that feat that you know you will achieve…
  • Picture yourself as you were before, when all of this writing stuff was only a far-flung figment of your imagination. I like to picture myself at age 14–15, out in the woods behind my house with a notebook, this small-town girl who’d never even seen a real-live author in person, who loved to read and would never have really expected she would end up here, where I am right now, a WRITER. I think, to see me now, she would have cried in delight…

Fellow writers, those of you who share my affliction, help me out here: What cures your writing doubts and how do you face down your doubt monster?

(Originally published on my blog distraction99.com)